|
Hello! |
|
This is a home page for David Dailey. I'm a professor of Computer Science at Slippery Rock University. My teaching and research interests are in areas of information technology, mathematics, linguistics, imagery, cognition, and interdisciplinary studies. I can be reached at david.dailey@sru.edu. Here's a curriculum vita. Here are links to some recent research. research that is ongoing
Spring '13 courses: CpSc130 , CpSc207 , CpSc300
Some interests: JavaScript, my numbers, a program for drawing graphs,
|
![]() |
![]() |
| Curiosités JavaScript | Jane Austen's Randemma. | arts & crafts |
|
Here are some
public domain images, |
||
|
|
||
|
|
|||||||||
|
|
||||||||||
|
Random place names -- sorta like in the US |
||||||||||
|
Exercise in mapping (AJAX, SVG and PHP) |
||||||||||
While intellectual property law might seem a dull subject, it is the place where the information age runs smack into feudalism. (Remember how the Saxons used the alphabet to claim ownership of all things Pict?) It is the branch of the law that allows me to reverse-engineer your thought process, then to patent it and charge you royalties for your continued use. It is a collection of inconsistencies spawned by committees and lobbyists, in perpetuity and throughout the universe. What could be more fun?
Dailey on copyright You might also take a glance at Grazing rights in the public domain to investigate some of the
legal curiosities concerning imagery and the law.
Also: copyright vs. public interestThis sort of speculation together with my recent foray into working with W3C web standards, have gotten me to thinking a bit more about democracy, consensus, and decision making.
Send comments to David.Dailey@sru.edu . See copyright notice. Images on these pages are drawn (or otherwise created) by the author, except for these reliances on public domain work:
*Science, composited from two works by Edwin Abbey (commissioned as work by the Commonwealth of Pennsylvania, for the state capitol building): one of a photo of the finished work in Harrisburg (© 1911); the other a scan of an engraving of Abbey's sketches (© 1907-08) contained in Life and Work of Edwin Austin Abbey, R. A. by E.V. Lucas(© 1921).
Small red fire engine: false colorized from Webster's 1911 engraving of a fire engine.
and Impressionism scanned from the Webster's 1911 definition of the term..
The (3,3,4,3,4) tiling employed as background, while embodied as a particular and original expression here, dates from early in the previous millenium, appearing in North African architecture.